The Oscars' visual effects judges sought genuine innovation over mere spectacle quantity in 2001's films.
Revolutionary camera movement defined the year,
liberated by real-time compositing systems like Spielberg's "pie-in-the-sky" rig.
Directors freely panned and zoomed through complex sequences,
confident post-production could seamlessly blend elements.
Creature design saw dual evolution:...
English
Arabic
French
Spanish
Deutsch
Turkish
Dutch
Italiano
Russian
Romaian
Portuguese (Brazil)
Greek